Well, I wrote a lot more in 2008, and not just on this blog - 89 posts (including this one) compared to 49 last year. My most popular post - and I use the adjective advisedly - was Don't Look Back in Awe. This was picked up by io9 and a slew of other blogs... and as a result my hits shot through the roof. Overlooked Classics also did quite well as it was posted on reddit.com. The other posts which received higher than average hits were the "list" ones: Overlooked Classics Part 2, 20 British SF Novels You Should Read and Top Ten Obscure SF Films. Perhaps I'll knock together a few more lists in 2009. Um, maybe I should conflate Don't Look Back in Awe with a list post, something like 20 SF Classics Which Are Actually Crap, for example... Top of that list would be Asimov's Foundation trilogy, I think. Then again, perhaps I won't...
I also wrote more fiction, and even sold some. The actual stats look like this:
Completed: 6
Submitted: 28
Rejected: 19
Waiting for response: 5
Sold
'Thicker Than Water' to Jupiter
'Killing the Dead' to Postscripts
'The Amber Room' to Pantechnicon
I'll post to this blog when the stories are actually published, so you can rush out and buy copies of the magazines. Many copies.
I also wrote two book reviews for Interzone - Template by Matthew Hughes in IZ 218, and Lexicon Urthus, Second Edition by Michael Andre-Druissi in IZ 219.
And six DVD reviews for VideoVista.net - Zombies! Zombies! Zombies!, Vexille, Jacqueline Hyde, Psycho Beach Party, Sordid Lives and Lost in Austen.
All in all, not an unproductive year. I'd have liked it to have been more productive, though. But I'm determined to do even more in 2009 - two novels to complete, more short fiction, more poetry, a bunch of other projects, plus the reviews...
It only remains for me to wish everyone a Happy New Year, and all the best in 2009. And, as they say, keep watching the skies.
Wednesday, 31 December 2008
trilogy, I think. Then again, perhaps I won't...
by Michael Andre-Druissi in 
Tuesday, 30 December 2008
Optimism - A Bad Fit For SF?
Why doesn't science fiction write about shiny happy futures? Why is it all doom and gloom? In these troubled times, shouldn't the genre be focusing on what's right, what's good, what we can make better?
Well, no.
It's all very well writing about gleaming futures full of food pills and jetcars, as if - like in William Gibson's 'The Gernsback Continuum' - doing so would dream it into being. It's all very well positing a future in a science fiction short story in which today's problems no longer exist. It's all very well showing how, in a sf text, today's problems could be solved.
But isn't that irresponsible?
The world is as it is; it is in many respects how we have made it. If science fiction is to have relevance, this is something it must acknowledge. It is something it must discuss. Just because in a novel a real world regime is overthrown in 2020 AD... it doesn't mean that novel can't discuss the moral choices made by the leaders of that regime.
Science fiction can, perhaps, show what might be the effects in one hundred years of decisions taken now - for example, which do we protect: profits or the environment? What are the consequences of choosing one over the other? Why do some people privilege themselves - i.e., profits - over everyone else - i.e., the environment? And should we let them be the ones making the decisions?
Science fiction is not about prediction. It is no longer primarily didactic. But that does not mean it cannot inform. And more than that, it can inform on the important issues. Racial survival. Human rights. The impact of new sciences and technologies. Economics. Politics. Morality. Philosophy.
Writing about a bunch of geeks killing a bunch of gooks with ever more awesome weaponry is cowardice. It's a failure to engage with the real world. The problem is not that nations are at war, it's that nations go to war. The latter is fit for speculation, the former is not.
If it is possible to write optimistic science fiction, then it can only be by focusing on the quotidian, by writing fictions which are intensely personal, which look for small everyday victories, which ignore the big questions. Some might call that a failure of imagination.
Science fiction doesn't need to be optimistic, it needs to be honest.
Well, no.
It's all very well writing about gleaming futures full of food pills and jetcars, as if - like in William Gibson's 'The Gernsback Continuum' - doing so would dream it into being. It's all very well positing a future in a science fiction short story in which today's problems no longer exist. It's all very well showing how, in a sf text, today's problems could be solved.
But isn't that irresponsible?
The world is as it is; it is in many respects how we have made it. If science fiction is to have relevance, this is something it must acknowledge. It is something it must discuss. Just because in a novel a real world regime is overthrown in 2020 AD... it doesn't mean that novel can't discuss the moral choices made by the leaders of that regime.
Science fiction can, perhaps, show what might be the effects in one hundred years of decisions taken now - for example, which do we protect: profits or the environment? What are the consequences of choosing one over the other? Why do some people privilege themselves - i.e., profits - over everyone else - i.e., the environment? And should we let them be the ones making the decisions?
Science fiction is not about prediction. It is no longer primarily didactic. But that does not mean it cannot inform. And more than that, it can inform on the important issues. Racial survival. Human rights. The impact of new sciences and technologies. Economics. Politics. Morality. Philosophy.
Writing about a bunch of geeks killing a bunch of gooks with ever more awesome weaponry is cowardice. It's a failure to engage with the real world. The problem is not that nations are at war, it's that nations go to war. The latter is fit for speculation, the former is not.
If it is possible to write optimistic science fiction, then it can only be by focusing on the quotidian, by writing fictions which are intensely personal, which look for small everyday victories, which ignore the big questions. Some might call that a failure of imagination.
Science fiction doesn't need to be optimistic, it needs to be honest.
Tuesday, 23 December 2008
How Soon They Forget...
Eos, an imprint of HarperCollins, is running a competition with a first prize of every book published by them during 2009. Sadly, it's open to US residents only. This post here on the Eos blog gives details, and also names some of the authors whose books the winner can expect to receive... including "...as well as debut novels SANDMAN SLIM by Richard Kadrey..."
Huh?
Surely Kadrey's debut was 1988's Metrophage, probably the best of the cyberpunk novels?
Not to mention his second novel, Kamikaze L'Amour (1995), or his more recent Butcher Bird, published last year by Night Shade Books.
Huh?
Surely Kadrey's debut was 1988's Metrophage, probably the best of the cyberpunk novels?
Not to mention his second novel, Kamikaze L'Amour (1995), or his more recent Butcher Bird, published last year by Night Shade Books.
Thursday, 18 December 2008
The Year in Question - 2008
It's not quite the end of the year but, with Christmas coming up, now is probably a good time to look back at the books I read, the films I watched, and the albums I bought in 2008. And... it was a bit of an odd year. I caught a new "enthusiasm". Aircraft. Specifically, jet bombers and interceptors of the Cold War. And 1930s flying boats. And no, I've no idea why those in particular. But I bought and read books on the B-36, Avro Vulcan, XB-70, BAC Lightning, Tu-16 Badger, de Havilland Sea Vixen, and the Short Empire flying boat, among many others. Oh, and the Bristol Brabazon, because the noise its engines made is really impressive - see this video of its test flight here, around the 3:50 minute mark as it takes off.
But back to the books read, films seen, etc. By December 18, I'd read 213 books (a new record for me) but, as usual, had bought more. Science fiction still formed the bulk of my fiction reading - 62% of it, in fact - but no heartland sf novels were good enough to make the grade as best of the year. I also read considerably more non-fiction than I've read in previous years - more than half my total reading. And I also read a lot of graphic novels - fifty-four, to be precise.
I watched 245 films and/or assorted seasons/series of television programmes, most of which were on DVD. And most of which weren't all that good. There were the contents of the two 50-movie boxed sets, of course. That started out as fun, but soon turned into a chore. And some of the crappy sf and fantasy films I bought cheap on eBay proved to be less entertaining than I'd hoped or imagined. Some didn't - and I included them in my Top Ten Obscure SF Films. I also started watching Star Trek: Deep Space Nine for the first time, and discovered that I found (most of) the cast more appealing than in other Trek franchises. Having said that, the series' treatment of terrorism and the like compares unfavourably with the new Battlestar Galactica's treatment of similar subjects. But then Deep Space Nine is pre-9/11.
On the music front, I attended twelve gigs and two festivals (Bloodstock and the Day of Unrest), and saw 46 bands perform live. That included several favourites - Dark Tranquillity, Blue Öyster Cult, Mostly Autumn (twice), Opeth, Pelican, Anathema, Mithras... In 2007, I tried to go to a gig a month, but failed. This year, I managed it - although that's averaging it out over the year. I'll have to see if I can do the same in 2009.
I bought around the same number of CDs as in previous years. Some bands I like released new albums - Opeth, Gojira, Martriden, Mostly Autumn, Scar Symmetry, and Anathema. The Opeth and the Anathema made my top five. I also discovered some new bands (some of which were, er, actually old), and a couple of them quickly became favourites. It was quite a good year for music.
Oh, and in 2008 I also became a book reviewer for Interzone and a DVD reviewer for VideoVista.
But on with the best of the year...
Books
The French Lieutenant's Woman, John Fowles (1969)
I'd seen the film many years before, and had a vague recollection of the plot. I'd also read other books by Fowles and I hold a high opinion of his fiction. But I'd somehow missed reading this one. So I took it with me on a business trip to Stuttgart... and couldn't put it down. I hadn't expected it to be so engrossing a read. Beautifully-written, clever, and affecting.
The Jewel in the Crown, Paul Scott (1966)
This was my October book for my 2008 Reading Challenge, and I loved it so much I immediately added Scott's novels to my wants list. And I'm looking forward to reading the remaining three books of the Raj Quartet. I wrote about it here.
The Del Rey Book of Science Fiction and Fantasy, edited by Ellen Datlow (2008)
This is the only book in my top five which was actually published in 2008. I don't actually read that many original anthologies - well, not unless they're themed and the theme interests me, such as The New Space Opera or The Space Opera Renaissance. But I'd read a number of very approving reviews of this anthology, so I bought it. And... it's a very strong anthology indeed. I wasn't convinced by every story, but the overall standard was impressively high - albeit some stories worked better for me than others.
Sixty Days and Counting, Kim Stanley Robinson (2007)
This is the final book in Robinson's Science in the Capital trilogy, and is a perfect indication of why Robinson is such an important sf writer. The book is educational - if not didactic - but eminently readable all the same. A fitting end to a trilogy which should be read by more people. Especially people who don't believe in climate change.
The Yiddish Policemen's Union, Michael Chabon (2007)
I'm clearly not the only person who thought this was very good - it won the Hugo Award, Nebula Award and Sidewise Award. Deservedly. I wrote about it here.
Honorable mentions:
Collected Poems, Bernard Spencer (1981)
I think I can safely say that 2008 was the Year of Poetry for me. I started reading considerably more of it, and I even had a go at writing it (see one effort here). And of the poems I read during the year, Bernard Spencer's were among the best. Admittedly, this collection contains everything he published, so it's no surprise it's strong.
Matter, Iain M Banks (2008)
A new Culture novel is a matter for celebration, and while this one was certainly better than Banks' last sf novel, the very disappointing The Algebraist (which wasn't a Culture novel), it wasn't as good as earlier ones. I wrote about it here.
Scarlet Traces: The Great Game, Ian Edginton & D'Israeli (2006) - probably the best graphic novel I read in 2008. This is a sequel of sorts to a sequel of sorts to HG Wells' The War of the Worlds. Its concept is perhaps not the most original idea ever - after the Martians die, the British empire reverse-engineers their technology - but it's well handled. Great art too. The Great Game just wins out over Scarlet Traces because of a cameo by Dan Dare and Digby.
Films
Rio Bravo, dir. Howard Hawks (1959)
The plan was to work my way through the Time Out Centenary Top 100 Films, which is why I stuck this one on my rental list. I'm no fan of westerns, but there were a few in the Top 100 - The Searchers, The Wild Bunch... and Rio Bravo. And I have to admit Rio Bravo didn't seem as though it would appeal: John Wayne, Dean Martin (playing a drunk!), Ricky Nelson... Dean Martin and Ricky Nelson sing a duet! Sheriff has to defend town against evil cattle baron's henchmen bent on vengeance, with drunken gunslinger and callow youth to help! So many clichés! But. I loved it. I even went out and bought the special edition DVD - once it no longer broke the Rule of DVD*, of course.
In The Shadow Of The Moon, dir. David Sington & Christopher Riley (2006)
My enthusiasm for all things space-related remains undimmed, although I didn't buy as many books on the subject as last year - well, I still have a huge pile of them to read. This film pretty much explains the appeal. It consists chiefly of talking-head interviews with those involved in the Apollo project, interspersed with film of the various missions. As you hear the astronauts talking matter-of-factly about their trips to the Moon, you soon realise what an astonishing achievement it was. It should be repeated. Soon.
The Dark Knight, dir. Christopher Nolan (2008)
My only trip to the cinema in 2008 was to see this film. It's a less baroque treatment of Batman than its predecessor - Gotham City resembles Chicago more than the weird Gothic metropolis of Batman Begins. Heath Ledger steals the film as the Joker, but he has excellent support from Aaron Eckhart, Christian Bale, and Gary Oldman. Maggie Gyllenhall makes a better Rachel Dawes than Katie Holmes did, but the character still seems mostly peripheral. Perhaps the film did at time feel like two films welded together - the Joker story, and the Two-Face story. But the various set-pieces more than made up for it. I'll be getting the DVD.
Autumn Sonata, dir. Ingmar Bergman (1978)
Okay, so Bergman was sure to appear somewhere on this list, although it was a toss-up between this one and Shame (see below). But Autumn Sonata just wins out because it's the less contrived of the two. Famous pianist Ingrid Bergman visits her neglected daughter, now the wife of a country pastor. Ingrid Bergman gives a polished performance, but Ullmann steals the show as the daughter. Anyone who thinks Ingmar Bergman's films are dull and obscure should watch Autumn Sonata.
Mirror, dir. Andrei Tarkovsky (1975)
This film is near impossible to describe - and better people than me have tried. It's the cinematic equivalent of stream of consciousness, which by rights shouldn't really work. But it does. Extremely well. There are enactments of scenes from Tarkovsky's childhood, newsreel footage, dream sequences... Despite lacking a plot, or any kind of coherent path through the story, Mirror is engrossing.
Honourable mentions:
Naked Lunch (1991), Crash (1996), Eastern Promises (2007), dir. David Cronenberg
2008 was a bit of a Cronenberg year for me. I've always enjoyed his films, but last year's A History of Violence was something of a revelation - a polished and subversive thriller from the director of Scanners and The Fly? Eastern Promises is the same but more so - although perhaps in parts it could pass as an episode of a superior British television thriller. Naked Lunch and Crash, however, came as real surprises. Both are "unfilmable" novels, but Cronenberg managed to somehow make excellent, watchable drama out of them.
Shame, dir. Ingmar Bergman (1968)
Bergman favourites Max von Sydow and Liv Ullmann are enjoying the simple life on a rural island (Fåro), away from a civil war. The war catches up with them, however, and they are forced to give a television broadcast supporting one side... only to be subsequently captured by the other side. Emotional stuff, albeit perhaps a little overwrought in places. Nevertheless, it's a strong story handled by two strong leads.
The Sacrifice, dir. Andrei Tarkovsky (1986)
Despite its glacial pace and its long takes, this is an intense film, and hard to watch in places. I wrote a little about it here.
Albums
Skycontact, Phlebotomized (1997)
Phlebotomized were a short-lived death metal band from the Netherlands. They recorded a handful of demos, an EP and two albums. Skycontact was their last album. It's progressive stuff - the band featured a violinist - and quickly became a favourite.
Anatomy of Life, Noumena (2006)
This is melodic death metal from Finland, but it also features some clean vocals and some female vocals. And the singer's growl has to be heard to be believed. I suspect he uses a pitch shifter... Excellent stuff - and I've been playing the track 'Monument of Pain' almost constantly.
Hindsight, Anathema (2008)
Anathema are currently recording a new album - they said so when I saw them live. But until that's released, we have this, a compilation of acoustic takes on some of their better-known songs. It's yet more evidence that Anathema should be filling stadiums by now, not tiny rooms with beer-sodden carpets...
Corē, Persefone (2006)
One of things I love about extreme metal is that it's an international genre. Admittedly, pretty much everyone sings in English - although with growl vocals it's often hard to tell. Persefone are Andorran. That's the tiny little country between France and Spain. Population about 70,000. Corē is a concept album about Persephone, the goddess for whom the band are named. An excellent mix of death metal, progressive metal and acoustic pieces, with both clean and growl male vocals, and female vocals.
Watershed, Opeth (2008)
And a new album which proves to be even more progressive than the preceding Ghost Reveries. I'm still not convinced I like the direction they're going as much as I liked older albums such as Blackwater Park. But it's proving to be an interesting journey, and they never disappoint.
Honourable mentions:
Still, Wolverine (2006)
I saw Wolverine supporting Anathema in Glasgow back in 2006. I enjoyed their set, but not enough to dash out and buy their albums. Then, for some reason, this year I ended up buying their latest CD anyway. And it quickly grew on me. So much so that at Bloodstock, I bought the preceding two albums, The Window Purpose and Cold Light of Monday, at the Earache stall.
Watch Us Deteriorate, Crystalic (2007)
If there's a band which epitomises Scandinavian death metal, I suspect it's Crystalic. This is fast-paced aggressive metal, but with a slight twist. And in Crystalic's case that twist is the use of a fretless bass - or at least that's what it sounds like.
Headspace EP, Headspace (2008)
Twenty-first century prog rock, featuring Rick Wakeman's son Adam on keyboards and Threshold's original singer Damian Wilson. This EP is a taster of their material. I'm looking forward to the debut album.
And finally, a few worsts...
Worst film isn't going to be easy - I watched everything on those crap 50-movie boxed sets, after all. But other "gems" watched during the year include Barbarian Queen, The Warrior And The Sorceress, Star Odyssey, and Zombies Zombies Zombies (reviewed for VideoVista)
Worst books include Starship Troopers, Robert Heinlein (see here); Projekt Saucer 2: Phoenix, WA Harbinson (one day I'll work out why I'm bothering to read this series); Orlando, Virgina Woolf (self-indulgent tosh; see here); The Fountainhead, Ayn Rand (silly OTT nonsense; see here); and the new charm-free Dan Dare comic from the now-defunct Virgin Comics. Two of these titles were from my reading challenge for the year, so in that respect it was less than successful... except the challenge also introduce me to Paul Scott's writing. He made my top five, so I think that balances them out.
* the Rule of DVD: never pay more than £10 for a DVD.
But back to the books read, films seen, etc. By December 18, I'd read 213 books (a new record for me) but, as usual, had bought more. Science fiction still formed the bulk of my fiction reading - 62% of it, in fact - but no heartland sf novels were good enough to make the grade as best of the year. I also read considerably more non-fiction than I've read in previous years - more than half my total reading. And I also read a lot of graphic novels - fifty-four, to be precise.
I watched 245 films and/or assorted seasons/series of television programmes, most of which were on DVD. And most of which weren't all that good. There were the contents of the two 50-movie boxed sets, of course. That started out as fun, but soon turned into a chore. And some of the crappy sf and fantasy films I bought cheap on eBay proved to be less entertaining than I'd hoped or imagined. Some didn't - and I included them in my Top Ten Obscure SF Films. I also started watching Star Trek: Deep Space Nine for the first time, and discovered that I found (most of) the cast more appealing than in other Trek franchises. Having said that, the series' treatment of terrorism and the like compares unfavourably with the new Battlestar Galactica's treatment of similar subjects. But then Deep Space Nine is pre-9/11.
On the music front, I attended twelve gigs and two festivals (Bloodstock and the Day of Unrest), and saw 46 bands perform live. That included several favourites - Dark Tranquillity, Blue Öyster Cult, Mostly Autumn (twice), Opeth, Pelican, Anathema, Mithras... In 2007, I tried to go to a gig a month, but failed. This year, I managed it - although that's averaging it out over the year. I'll have to see if I can do the same in 2009.
I bought around the same number of CDs as in previous years. Some bands I like released new albums - Opeth, Gojira, Martriden, Mostly Autumn, Scar Symmetry, and Anathema. The Opeth and the Anathema made my top five. I also discovered some new bands (some of which were, er, actually old), and a couple of them quickly became favourites. It was quite a good year for music.
Oh, and in 2008 I also became a book reviewer for Interzone and a DVD reviewer for VideoVista.
But on with the best of the year...
Books
The French Lieutenant's Woman, John Fowles (1969)
, John Fowles (1969)I'd seen the film many years before, and had a vague recollection of the plot. I'd also read other books by Fowles and I hold a high opinion of his fiction. But I'd somehow missed reading this one. So I took it with me on a business trip to Stuttgart... and couldn't put it down. I hadn't expected it to be so engrossing a read. Beautifully-written, clever, and affecting.
The Jewel in the Crown, Paul Scott (1966)
, Paul Scott (1966)This was my October book for my 2008 Reading Challenge, and I loved it so much I immediately added Scott's novels to my wants list. And I'm looking forward to reading the remaining three books of the Raj Quartet. I wrote about it here.
The Del Rey Book of Science Fiction and Fantasy, edited by Ellen Datlow (2008)
, edited by Ellen Datlow (2008)This is the only book in my top five which was actually published in 2008. I don't actually read that many original anthologies - well, not unless they're themed and the theme interests me, such as The New Space Opera or The Space Opera Renaissance. But I'd read a number of very approving reviews of this anthology, so I bought it. And... it's a very strong anthology indeed. I wasn't convinced by every story, but the overall standard was impressively high - albeit some stories worked better for me than others.
or 
. But I'd read a number of very approving reviews of this anthology, so I bought it. And... it's a very strong anthology indeed. I wasn't convinced by every story, but the overall standard was impressively high - albeit some stories worked better for me than others.Sixty Days and Counting, Kim Stanley Robinson (2007)
, Kim Stanley Robinson (2007)This is the final book in Robinson's Science in the Capital trilogy, and is a perfect indication of why Robinson is such an important sf writer. The book is educational - if not didactic - but eminently readable all the same. A fitting end to a trilogy which should be read by more people. Especially people who don't believe in climate change.
The Yiddish Policemen's Union, Michael Chabon (2007)
, Michael Chabon (2007)I'm clearly not the only person who thought this was very good - it won the Hugo Award, Nebula Award and Sidewise Award. Deservedly. I wrote about it here.
Honorable mentions:
Collected Poems, Bernard Spencer (1981)
, Bernard Spencer (1981)I think I can safely say that 2008 was the Year of Poetry for me. I started reading considerably more of it, and I even had a go at writing it (see one effort here). And of the poems I read during the year, Bernard Spencer's were among the best. Admittedly, this collection contains everything he published, so it's no surprise it's strong.
Matter, Iain M Banks (2008)
, Iain M Banks (2008)A new Culture novel is a matter for celebration, and while this one was certainly better than Banks' last sf novel, the very disappointing The Algebraist (which wasn't a Culture novel), it wasn't as good as earlier ones. I wrote about it here.
(which wasn't a Culture novel), it wasn't as good as earlier ones. I wrote about it Scarlet Traces: The Great Game, Ian Edginton & D'Israeli (2006) - probably the best graphic novel I read in 2008. This is a sequel of sorts to a sequel of sorts to HG Wells' The War of the Worlds. Its concept is perhaps not the most original idea ever - after the Martians die, the British empire reverse-engineers their technology - but it's well handled. Great art too. The Great Game just wins out over Scarlet Traces because of a cameo by Dan Dare and Digby.
, Ian Edginton & D'Israeli (2006) - probably the best graphic novel I read in 2008. This is a sequel of sorts to a sequel of sorts to HG Wells' 
. Its concept is perhaps not the most origina
because of a cameo by Dan Dare and Digby.Films
Rio Bravo, dir. Howard Hawks (1959)
, dir. Howard Hawks (1959)The plan was to work my way through the Time Out Centenary Top 100 Films, which is why I stuck this one on my rental list. I'm no fan of westerns, but there were a few in the Top 100 - The Searchers, The Wild Bunch... and Rio Bravo. And I have to admit Rio Bravo didn't seem as though it would appeal: John Wayne, Dean Martin (playing a drunk!), Ricky Nelson... Dean Martin and Ricky Nelson sing a duet! Sheriff has to defend town against evil cattle baron's henchmen bent on vengeance, with drunken gunslinger and callow youth to help! So many clichés! But. I loved it. I even went out and bought the special edition DVD - once it no longer broke the Rule of DVD*, of course.
, 
... and 
In The Shadow Of The Moon, dir. David Sington & Christopher Riley (2006)
, dir. David Sington & Christopher Riley (2006)My enthusiasm for all things space-related remains undimmed, although I didn't buy as many books on the subject as last year - well, I still have a huge pile of them to read. This film pretty much explains the appeal. It consists chiefly of talking-head interviews with those involved in the Apollo project, interspersed with film of the various missions. As you hear the astronauts talking matter-of-factly about their trips to the Moon, you soon realise what an astonishing achievement it was. It should be repeated. Soon.
The Dark Knight, dir. Christopher Nolan (2008)
, dir. Christopher Nolan (2008)My only trip to the cinema in 2008 was to see this film. It's a less baroque treatment of Batman than its predecessor - Gotham City resembles Chicago more than the weird Gothic metropolis of Batman Begins. Heath Ledger steals the film as the Joker, but he has excellent support from Aaron Eckhart, Christian Bale, and Gary Oldman. Maggie Gyllenhall makes a better Rachel Dawes than Katie Holmes did, but the character still seems mostly peripheral. Perhaps the film did at time feel like two films welded together - the Joker story, and the Two-Face story. But the various set-pieces more than made up for it. I'll be getting the DVD.
. Heath Ledger steals the film as the Joker, but he has excellent support from Aaron Eckhart, Christian Bale, and Gary Oldman. Maggie Gyllenhall makes a better Rachel Dawes than Katie Holmes did, but the character still seems mostly peripheral. Perhaps the film did at time feel like two films welded together - the Joker story, and the Two-Face story. But the various set-pieces more than made up for it. I'll be getting the DVD.Autumn Sonata, dir. Ingmar Bergman (1978)
, dir. Ingmar Bergman (1978)Okay, so Bergman was sure to appear somewhere on this list, although it was a toss-up between this one and Shame (see below). But Autumn Sonata just wins out because it's the less contrived of the two. Famous pianist Ingrid Bergman visits her neglected daughter, now the wife of a country pastor. Ingrid Bergman gives a polished performance, but Ullmann steals the show as the daughter. Anyone who thinks Ingmar Bergman's films are dull and obscure should watch Autumn Sonata.
(see below). But Mirror, dir. Andrei Tarkovsky (1975)
, dir. Andrei Tarkovsky (1975)This film is near impossible to describe - and better people than me have tried. It's the cinematic equivalent of stream of consciousness, which by rights shouldn't really work. But it does. Extremely well. There are enactments of scenes from Tarkovsky's childhood, newsreel footage, dream sequences... Despite lacking a plot, or any kind of coherent path through the story, Mirror is engrossing.
Honourable mentions:
Naked Lunch (1991), Crash (1996), Eastern Promises (2007), dir. David Cronenberg
(1991), 
(1996), 
(2007), dir. David Cronenberg2008 was a bit of a Cronenberg year for me. I've always enjoyed his films, but last year's A History of Violence was something of a revelation - a polished and subversive thriller from the director of Scanners and The Fly? Eastern Promises is the same but more so - although perhaps in parts it could pass as an episode of a superior British television thriller. Naked Lunch and Crash, however, came as real surprises. Both are "unfilmable" novels, but Cronenberg managed to somehow make excellent, watchable drama out of them.
was something of a revelation - a polished and subversive thriller from the director of 
and 
? Shame, dir. Ingmar Bergman (1968)
Bergman favourites Max von Sydow and Liv Ullmann are enjoying the simple life on a rural island (Fåro), away from a civil war. The war catches up with them, however, and they are forced to give a television broadcast supporting one side... only to be subsequently captured by the other side. Emotional stuff, albeit perhaps a little overwrought in places. Nevertheless, it's a strong story handled by two strong leads.
The Sacrifice, dir. Andrei Tarkovsky (1986)
, dir. Andrei Tarkovsky (1986)Despite its glacial pace and its long takes, this is an intense film, and hard to watch in places. I wrote a little about it here.
Albums
Skycontact, Phlebotomized (1997)
Phlebotomized were a short-lived death metal band from the Netherlands. They recorded a handful of demos, an EP and two albums. Skycontact was their last album. It's progressive stuff - the band featured a violinist - and quickly became a favourite.
Anatomy of Life, Noumena (2006)
, Noumena (2006)This is melodic death metal from Finland, but it also features some clean vocals and some female vocals. And the singer's growl has to be heard to be believed. I suspect he uses a pitch shifter... Excellent stuff - and I've been playing the track 'Monument of Pain' almost constantly.
Hindsight, Anathema (2008)
, Anathema (2008)Anathema are currently recording a new album - they said so when I saw them live. But until that's released, we have this, a compilation of acoustic takes on some of their better-known songs. It's yet more evidence that Anathema should be filling stadiums by now, not tiny rooms with beer-sodden carpets...
Corē, Persefone (2006)
, Persefone (2006)One of things I love about extreme metal is that it's an international genre. Admittedly, pretty much everyone sings in English - although with growl vocals it's often hard to tell. Persefone are Andorran. That's the tiny little country between France and Spain. Population about 70,000. Corē is a concept album about Persephone, the goddess for whom the band are named. An excellent mix of death metal, progressive metal and acoustic pieces, with both clean and growl male vocals, and female vocals.
Watershed, Opeth (2008)
, Opeth (2008)And a new album which proves to be even more progressive than the preceding Ghost Reveries. I'm still not convinced I like the direction they're going as much as I liked older albums such as Blackwater Park. But it's proving to be an interesting journey, and they never disappoint.
. I'm still not convinced I like the direction they're going as much as I liked older albums such as 
. But it's proving to be an interesting journey, and they never disappoint.Honourable mentions:
Still, Wolverine (2006)
, Wolverine (2006)I saw Wolverine supporting Anathema in Glasgow back in 2006. I enjoyed their set, but not enough to dash out and buy their albums. Then, for some reason, this year I ended up buying their latest CD anyway. And it quickly grew on me. So much so that at Bloodstock, I bought the preceding two albums, The Window Purpose and Cold Light of Monday, at the Earache stall.
and 
, at the Earache stall.Watch Us Deteriorate, Crystalic (2007)
, Crystalic (2007)If there's a band which epitomises Scandinavian death metal, I suspect it's Crystalic. This is fast-paced aggressive metal, but with a slight twist. And in Crystalic's case that twist is the use of a fretless bass - or at least that's what it sounds like.
Headspace EP, Headspace (2008)
Twenty-first century prog rock, featuring Rick Wakeman's son Adam on keyboards and Threshold's original singer Damian Wilson. This EP is a taster of their material. I'm looking forward to the debut album.
And finally, a few worsts...
Worst film isn't going to be easy - I watched everything on those crap 50-movie boxed sets, after all. But other "gems" watched during the year include Barbarian Queen, The Warrior And The Sorceress, Star Odyssey, and Zombies Zombies Zombies (reviewed for VideoVista)
, 
, 
, and 
(reviewed for Worst books include Starship Troopers, Robert Heinlein (see here); Projekt Saucer 2: Phoenix, WA Harbinson (one day I'll work out why I'm bothering to read this series); Orlando, Virgina Woolf (self-indulgent tosh; see here); The Fountainhead, Ayn Rand (silly OTT nonsense; see here); and the new charm-free Dan Dare comic from the now-defunct Virgin Comics. Two of these titles were from my reading challenge for the year, so in that respect it was less than successful... except the challenge also introduce me to Paul Scott's writing. He made my top five, so I think that balances them out.
, Robert Heinlein (see 
, WA Harbinson (one day I'll work out why I'm bothering to read this series); 
, Virgina Woolf (self-indulgent tosh; see 
, Ayn Rand (silly OTT nonsense; see 
comic from the now-defunct Virgin Comics. Two of these titles were from my reading challenge for the year, so in that respect it was less than successful... except the challenge also introduce me to Paul Scott's writing. He made my top five, so I think that balances them out.* the Rule of DVD: never pay more than £10 for a DVD.
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